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Review - Legacy AS2000SS Professional Sterling Silver Plated Fully Engraved Alto Saxophone with Case, Accessories and Selmer Mouthpiece, The Instrument Store Starter Kit

• Superior Quality Professional Alto Saxophone in Sterling Silver Plating with Full Engraving on the Entire Instrument
• Manufactured in one of the world's best factories. Great intonation, quality and superior tone.
• Includes Pro Style Case, Mouthpiece, neckstrap, cap ligature, and Selmer Cleaning and Care Kit
• Includes Selmer USA Mouthpiece, Instrument Store Starter Kit (Music Stand, Sax Stand, Cleaning Kit)

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Review - Buffet Crampon Student Eb Alto Sax Mouthpiece Kit with Ligature and Cap

• Eb Alto Sax Mouthpiece Kit
• Good Plastic Student Mouthpiece
• With Cap and Quality Ligature

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One of the most popular percussion instruments in the rich musical culture of South Asia is the tabla drums. It originated as far as 300 years ago. Its name came from the Arabic word tabla meaning drum. It is said to be a mixture of characteristics of pre-existing drums such as dholak, naqqara, and pakhawa but its exact history is still unclear. This instrument is commonly used in India, Bangladesh and Pakistan.

The modern version of the instrument is composed of a pair of drums. The dayan, which means right in India, is the smaller, wooden drum played with the right hand while the bayan, which is translated as left, is the larger drum with a metal body and played with the left hand.

One of the main differences of both drums is the size but their parts are mostly the same. The head of the drums, called the puri, is made up of goat hide. An extra ring of hide is laid over the head as well as on the bottom of the drums. These rings hold the lacings, or tasma, on the side of the drums, which in turn control the tension and pitch of the drums through a number of wooden cylindrical blocks called ghatta. These are placed between the body and the lacings. There is a black circle in the middle of the drum heads called syahi made up of gum, soot and iron fillings. The syahi is located in the center of the head, but in bayan, it is a little bit off to the side.

The defining sound of the tabla is its bell-like timbre made possible by the syahi. The dayan is tuned to the tonic note of the vocalist or the instruments accompanying it. It has the higher pitch between the two. The low end of the instrument is produced by the larger bayan. It is interesting to note that the tune of the bass is not confined to a single note but can cover a whole scale based on the position and pressure of the left wrist on the syahi. One can also do sliding notes on the bass because of the ease in controlling the tune.

Learning how to play the tabla can be challenging to some since the principles are a little different from the Western styles of music. The beats are conceptualized through mnemonic syllables called bol. To be able to play well, one has to understand how the basic Indian rhythm is conceptualized.

Tabla drums can cover both melodic and rhythmic concepts in the Indian system. However, as in most percussion instruments, it is in the rhythm that it is mostly focused on. Just as the Western style has the beat, measure and cycle, so does the Indian style. The only main difference is that the latter focuses more on the cycle unlike the former which focuses on the measure and the beat. Timekeeping when playing the tabla is based on claps and waves. These claps and waves basically describe the measure of Indian music. It is important in the conceptualization and execution of the whole song as the other instruments also follow this rhythm as a guide. Thus the player can play in different syllables as long as the cycle remains constant.

The sound and feel of the tabla is rich and exotic. As an instrument, it can stand on its own when played just right but will also do very well when combined with vocals and other instruments. It may not be easy to learn but with time and dedication plus a good understanding of Indian musical concepts, one is bound to produce beautiful music through this instrument.

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Review - Legacy AS1000 Intermediate Alto Saxophone with Case, Accessories and Selmer Mouthpiece, The Instrument Store Starter Kit

• Superior Quality Intermediate Alto Saxophone in Clear Lacquer
• Manufactured in one of the world's best factories. Great intonation, quality and superior tone.
• Includes Pro Style Case, Mouthpiece, neckstrap, cap ligature, and Selmer Cleaning and Care Kit
• Includes Selmer USA Mouthpiece, Instrument Store Starter Kit (Music Stand, Sax Stand, Cleaning Kit)

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Without a steady flow of great songwriting topics, it is very difficult to consistently write solid songs. But where do these ideas come from? And more importantly, how can you find them in order to have a virtually unlimited supply of things to write about? Those questions can be a big obstacle for any creative effort, so it helps to know exactly where to look for the kind of inspiration that motivates you.

The truth about song ideas is that they are everywhere. In fact, it would be easier to list the places they do not come from instead of all of the areas that they do come from. Being receptive to them is the key to finding them. This means paying attention to the things that happen to you each day and the experiences that you have. Conversations, people, and events can all lead to the foundation for your next song.

One of the things that many songwriters find helpful is to document the random thoughts they have throughout the day. Some writers will carry a book or notepad with them while others prefer a small mini-recorder. They will write down or sing whatever catches their attention, including parts of new melodies, choruses, or verses. In addition, you might think of a really clever phrase or title. You never know where you will be when the spark for a new song will pop into your head, so be ready for it.

Besides outside influences, your own personal feelings often make the best songs because they are real and you have an emotional investment with them. Developing a sincere emotion in a creative way can lead to music that automatically connects with an audience. Basically, if something is important to you, it is much more likely that you will put your heart into it, and that is the essential ingredient to an amazing song.

Love is a subject that has been written about more than any other theme in the history of music. What makes it so universal and widely fascinating? Just about everyone can relate to it on some level. No matter what their current position is, most people have been in love before, or they would like to be in love someday. The countless ways to express all of the different feelings surrounding love make it even better for writing. Loss, gain, hopes, and dreams all factor into relationships, and when people hear songs about them, it takes them back to a memory; it becomes personal.

Another factor to consider is the reason why you are writing a particular song. If it is because you are building a music career, the topics you choose will reflect that. Even when writing songs just for yourself, select things that interest you. Use your collection of notes or recordings as a reference to avoid writer's block and brainstorm your thoughts as well. The greatest ideas are inside of you and all around you. Let inspiration be your guide and you will never go wrong.

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Review - Selmer Paris Soloist Alto Saxophone Mouthpiece

• An ideal mouthpiece for the classical player
• Produces an amazingly full and sweet tone

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A professional mouthpiece will improve your sound more than any other part of your saxophone. I recommend that be the first piece of equipment that you buy to upgrade your sound. Mouthpieces will come in two types- Jazz and Classical. For general playing you will want a good classical mouthpiece. These will be plastic looking. They are called hard rubber. There are three excellent mouthpieces I recommend that are reasonably priced. The Rousseau 4R is about and is fantastic. The 4R refers to the tip size. The Selmer S80 C* is another great mouthpiece. It will cost about 0 or so. The Rousseau New Classic plays like a S80 with a little different sound. It costs about .00. I recommend these mouthpieces for all of the saxophones.

Jazz mouthpieces are a little more complicated. If you play Alto, most people will go for a hard rubber mouthpiece as opposed to the metal, which tends to be a little bright for the alto. If you are going to play a lot of rock music, you may want that bright sound. My favorite mouthpiece for the alto for general jazz playing is the Meyer 6M. This is a classic that has been around for a long time. I would probably start here before anything else for alto.

Tenor and Baritone saxophones generally prefer a metal mouthpiece. For tenor I really like the Otto Link 7 or 6. This has a good sound and is pretty popular. I won't talk about soprano or Baritone here; most people start on alto or tenor.

Before you pay the big bucks for a mouthpiece, you should always try it out first. If you bought 10 of the same exact brand, and tried them all, you'd find that they all play different. Always try out first and pick the one that works best for you. Later on you may want to buy a hand made mouthpiece and enjoy the wonderful sound that comes from that. Be prepared to pay the big bucks for one of these!!

You will probably need a different size of reed on your jazz mouthpiece then you use on your classical. Most people use a little softer size on the jazz. Also, if you find the mouthpiece feeling funny on your teeth, you can buy a tooth patch to put on the mouthpiece. This will feel comfortable on your front teeth, and protect the mouthpiece.

If you are just beginning on the saxophone, you really should stick with the classical piece. After you are more advanced, you'll probably want the jazz piece for those styles. If you are not interested in popular styles of music, you won't need the jazz piece. There really is a difference between the two types, and if you plan on playing all styles, you will definitely need both types of mouthpieces.